A few of the boss battles are a true sight to behold, and though the final battle isn’t as illustrious as its forebearers, the obstacles it throws at me are nothing less than a test of everything I master in the preceding four hours. Though it doesn’t feature the imaginative settings of its less-grounded contemporaries, the world of Oddmar is lush, rife with life and little touches I only catch on my second trip through each stage. The methodical details of the level structure mesh well with the art direction. Oddmar wisely chooses a more calculated arrangement of enemies, creating a pulse for every stage I can ride to the end or ignore in favor of a more thorough exploration of every last nook. If the developer is going for an exploratory game, bunching up baddies in haphazard patterns is fine because players are expected to take it slow through each stage. Because not every platformer is the same, proper enemy placement will vary from title to title. Enemy placement is a key and oft-overlooked aspect of 2D game design as it is one of the deciding factors in just what type of game is being created. There is discipline in Oddmar‘s structure, learned from decades of previous platformers. Throughout the 24-stage adventure, its story brought to life by voice actor Julian Casey channeling every enthusiastic father reading to their child before bed, I am filled with delight as I bounce off every baddie, discover every hidden area, or ride atop one of my massive animal friends. Rather, it embodies the design discipline and fun factor of games like Rayman Origins and Donkey Kong Country: Tropical Freeze. Oddmar is an odd-man-out in this regard as it doesn’t feel like another platformer app. It’s why so many games feature similar interfaces, microtransactions, and generally have a familiar aura about them. Most mobile games feel as though they were created in the smartphone bubble, taking ideas freely from one release to the next but never incorporating the lessons the history of the medium provides them. I like auto-runners, I do, but Oddmar is on a level of its own. I won’t argue they’re not addictive - I have far too many hours logged in Spider-Man Unlimited to make that claim - but the compulsion to play because of some inane reward loop algorithm can never provide the satisfaction I gain from a game that empowers me to study its hand-crafted structure and tests more than just my hand-eye coordination. Developers choke the concept with loot boxes, play counters, and other nonsense, but the challenge of the gameplay remains the same. Developed by MOBGE YAZILIM GELISTIRME VE BILISIM TEKNOLOJILERI SANAYI VE TICARET LIMITED. Auto-runners are as ubiquitous as match-3 puzzlers in app stores, but the genre hasn’t really evolved outside of adding an extra dimension to the perspective. Oddmar is one of the best 4.99 to play game in the App Store.
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